![]() ![]() ![]() He was appointed physician at the xenodochium pestiferorum, the plague hospital at Toulouse in 1628 and was appointed to the University there with the title Premier Professor of Medicine. ![]() MacCuinneagáin states that Ó Glacáin "gained high esteem and general consideration because of the devotion which he showed in braving the contagion to succor the sick. He had settled in Toulouse in time to treat victims of the outbreak of 1628. In 1627 he moved to France during an outbreak of the plague, working as a plague doctor to treat victims at local hospitals in towns such as Fons, Figeac, Capdenac, Cajarc, Rovergue and Floyeac. In 1622, he moved to Valencia, residing there for two years. Ó Glacáin subsequently spent many years practicing medicine in Salamanca. Some of the citizens of Madrid, who would not readily accept the treatment of any of the surgeons, approached me, and quickly and successfully recovered unharmed with the following poultice." ".I was staying with my Magnanimous Hugh O'Donnell the Great Prince of Tír Chonaill in the court of the King of Spain, with a venereal bubo. Ó Glacáin writes in his work Tractatus de Peste: Ó Glacáin treated Irish clan chief Hugh Roe O'Donnell during his illness and eventual death at the Spanish court in 1602. Physician work Īfter the Irish defeat at the Battle of Kinsale, the O'Donnell clan left Ireland for Spain. Charles Cameron suggests Ó Glacáin received his medical education abroad. At the time, such families were the only source of medical training in Ireland. He was born in Tír Chonaill (modern-day Donegal), and probably received his early medical education from the Ó Duinnshléibhe family, a local hereditary family of physicians to the O'Donnell clan of Tír Chonaill. Giorgio Scharpes of the Faculty of Medicine, Bologna from 1634 to 1637, believed him to be about 48 during one of those years, giving a birth year of c. Some historians give him a birth date of around 1563. Ó Glacáin was born in the last half of the sixteenth century. Niall Ó Glacáin may have worn such a costume while attending plague victims. A 1656 engraving of a Plague doctor, by Paul Fürst. Ó Glacáin was a pioneer in pathological anatomy, with his work predating that of Giovanni Battista Morgagni (1682–1771) by several decades. 1602–1655) was an Irish physician and plague doctor who worked to treat victims of bubonic plague outbreaks in various places throughout Europe. Stay hungry, stay restless and don't be complacent.Niall Ó Glacáin, latinised Nellanus Glacanus or Nellano Glacan (fl. Practice, practice, practice and get better. Keep refining those skills, draw, sketch and paint, like practicing a musical instrument. The challenge: tell story whether it is in one single image or many. Again, it's something I learn when talking to top artists/illustrators/filmmakers regarding storytelling, composition, design and layout. Audio commentaries on dvds, where the director or a film historian would break down the shots in explanation, from scene to scene. Studying films, comics, illustrations, reading notes on lectures of visual storytelling. ![]() The fun thing abut this job was that in producing sketches and final illustrations, I was experimenting with layout, mood, tone etc. These were some of the ideas, at the time, that I tried to incorporate in the illustration. Placement of the Plague Doctor somewhat centered, the head slightly turned, looking at the viewer. Contrast between foreground and background, glimmers of faint smoke blended with shadows and tones. Backgrounds reduced to unsharpened features, everything hazy, atmospheric. No sharp angles, everything blurry and faded, like an old picture of many years ago with the exception of a strong light source coming from the left side of the illustration, creating a somewhat sharper look around the Plague Doctor's goggles, his beak and his staff. So, I did this job as a challenge, an exercise: do an illustration that is rendered in a digital format.Ĭan I do it, can I pull it off? If I remember, I had a visual layout in my mind, plus I knew what the color of the job would like: sepia tone, give it that old, dusty, Gothic look. I wanted to explore the word of digital art, learn new techniques/ideas/concepts, broaden my artistic chops beyond the pencil and the brush. As I was sketching/illustrating a batch of samples for my client on the Plague Doctor job, I was also working with digital art programs, such as Adobe Sketch and Adobe Draw. ![]()
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